clothesaholic

Thursday, March 12, 2009

Not in these shoes!

Gucci, Fall 2009


Dolce & Gabbana, Fall 2009


A.F. Vandervorst, Fall 2009

What do you think it means that so many of the shoes shown this season, in Paris, especially, are both ugly AND disabling? Is symbolic foot-binding the new fad? Is the message that if a woman actually has to use her feet, to walk, to climb into public transportation, to run the f*ck away, she's not worthy of fashion? WHAT???

I dunno. Take a look and you decide.

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Tuesday, March 03, 2009

Clothes on Film: Who are You, Polly Maggoo? and Blowup


Fashion is pain

In honor of New York Fashion Week, the Sundance Channel rebroadcast many of its fashion films and documentaries. One of them was the 60s film "Who Are You, Polly Maggo?" which had disappeared for quite a while and is now enjoying a revival. Written and directed by William Klein, who had done fashion photography for Vogue, the film has a premise, rather than a plot: a young American model, Polly Maggoo, is being filmed for an interview show. In between shots of her being interviewed are fashion shows, fashion shoots, a subplot concerning a model-obsessed prince, debates about French and American culture, some spy thing that I still don't understand, and visits to the office of a fashion magazine where a Machiavellian Diana Vreeland-like editor reigns.


"What an adorable graveyard!"

But all that business fades to nothing besides the fashion and fashion personalities that make their appearance. The opening sequence, that features models parading around in garments made of knife-edged sheet-aluminum, is famous. There's a hilarious bit about a fashion shoot in a graveyard (Tyra Banks, take notice!) that ends with a shot of a line of models parading across the skyline reminiscent of the last scene of The Seventh Seal. Model Peggy Moffit, Rudi Gernreich's muse, makes an appearance . . .

Far left, white face, black eye makeup, Peggy Moffit

With all that going on, who needs a plot?

By the way, after writing the above, I caught a rerun of season four of America's Next Top Models, and there was a photoshoot of the aspiring models, dressed as the Seven Deadly Sins, posing in a coffin that had been lowered into a hole in the ground. So I guess the graveyard idea has been done. To death. Ha ha.

Photo groupies of the '60s

The divine Peggy Moffit, along with the fierce and fabulous Veruschka, also appears in the iconic 60's film, Blowup (aka Blow Up or Blow-up, I used the IMDB version). Blowup has a plot, more or less. It's about a jaded photographer in Swinging London who inadvertently captures a murder in the background of some landscape photos. The photographer, Thomas, played by David Hemmings, spends a lot of screen time enlarging the photos to see if he really saw what he thought he saw, but he spends even more time bullying models and rolling around on the floor of his studio with underaged girls (albeit underaged girls wearing, for a while, awfully cute 60's shifts and flat shoes). Unfortunately, it's obvious that there's only a story at all because Thomas is a completely a creature of film. If he acted like a normal person and, say, locked his door after the suspect appeared in his flat the first time, or called the police when he found the dead body, the whole story wouldn't have been longer than 15 minutes, well, maybe 20 with the ménage à trois.


Anyhoo, here's a link to Peggy Moffit's MySpace page, which has a clip of her scene, and a link to a blog with some great fashion stills. Enjoy!

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Wednesday, February 25, 2009

Separated at birth?


The top photo is Miley Cyrus in her now-notorious "old chandelier" dress by Zuhair Murad; the bottom photo is Christian Dior's 1949 "Junon dress," which is in Metropolitan Museum of Art's collection. I wish I could take credit for noticing the similarity, but I got the scoop from Nick Vereos, former Project Runway contestant and now a fashion commentator for the TV Guide channel. I like the darker Dior version better; it doesn't look as much like a Christmas tree skirt.




The top photo is of Alicia Keyes at the Oscars in a pretty pink dress and an unattractive brown wig. The bottom photo is of Sophia Loren in her prime. You gotta love the almond-eyed girls.

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Tuesday, February 24, 2009

It's Fashion Week Month again!

Jason Wu, Fall 2009

Yessiree, the fashion shows are coming fast and furious, in spite of the sad state of the economy. There are lots of new names (or, new to me) in New York, like Altuzarra, Bibhu Mohapatra, and Koi Suwannagate although it appears from the photos that many designers are electing to show clothes at showrooms, rather than on the runway, which is more expensive, and the collections are smaller. Good luck, all y'all.

L'Wren Scott, Fall 2009


I can't keep up with all the shows, but I did check in to see what Jason Wu, now famous for designing Michelle Obama's inaugural gown, was up to. He produced lots of looks for a chic first lady. I also scanned enough collections to notice a trend toward longer skirts (check out L'Wren Scott's collection; yummy!). Thank heaven, it's time the world stopped being young Hollywood's gynecologist.


Kinder Aggugini, Fall 2009

I looked at one of the London collections because the name caught my eye: Kinder Aggugini. He did a multi-season collection, showing floral chiffon dresses with boots and coats. Very nice.

Do check out Style.com's full screen option for viewing the collections, the clothes are shown in great detail.

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Monday, February 23, 2009

Unwritten Hollywood Red Carpet rule No. 5 . . .

Vanessa Hudgens in Marchesa

Miley Cyrus in Zuhair Murad


Amy Adams in Carolina Herrera gown
Fred Leighton necklace


Beyonce in Lay-Z-Boy


Freida Pinto in John Galliano


Put all very young Carpetiers in dresses meant for women at least 10 years older so they do not detract from the Carpetiers who actually are 10 to 20 years older.
Let's see, Vanessa Hudgens is 21, Miley Cyrus is 17 (why was she at the Oscars, and why was she wearing a dress bigger and shinier than most of the nominees'?), Amy Adams is 35, but could pass for 25, Beyonce is 28 and Frieda Pinto is 24. They shouldn't be stuffed in dresses better worn by 40+ society matrons when they could get away with wearing stuff that's young and fun.

I often think, when I see Miley on the red carpet with her mother, that they should trade dresses, like at the Golden Globes where Miley wore a white Marchesa floor-length empire gown and Mom wore a sequined mini-dress. C'mon girl, you're only that young once!

I wish Frieda Pinto wore something Indian (besides her jewelry) at least once during awards season.

Fred Leighton got credit for Amy Adam's necklace, but Fred Leighton only sells vintage pieces, it doesn't make jewelry. I believe her necklace is a vintage Cartier tutti-frutti piece, the kind of thing made and meant for society dowagers. It would look better on Meryl Streep. Or me. Yup, that necklace should be mine: I'm old enough, I'm good enough, and dammit, jewelry likes me.

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Sunday, February 22, 2009

I guess all the stylists got the memo . . .

Evan Rachel Wood in Elie Saab


Penelope Cruz in vintage Balmain


Ann Hathaway in Armani Prive


Taraji P. Henson in Cavalli


Marisa Tomei in Versace


Sarah Jessica Parker in Dior Haute Couture


Jessica Biel in Prada


Melissa George


. . . that strapless white (or the equivalent thereof) was required wearing for A-list actresses (and a few wannabes) . . .


So that makes three nominees for best supporting actress in strapless white, and two nominees for best actress in strapless white. Is this kind of overlap result from borrowing dresses, or is there some kind of conspiracy among Hollywood stylists to level the playing field?


Whatever. I liked the dresses worn by Evan Rachel Wood (my favorite), Penelope Cruz (goooooo VINTAGE!), Taraji P. Henson (very soft and graceful) and Marisa Tomei (I hope she avoids the worst dressed lists this time). The rest were meh.


And SJP demonstrated, yet again, the problem with strapless dresses -- they have to fit exactly right to look good. Hers didn't.

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Wednesday, February 04, 2009

Speaking of vintage prints . . .


Trashy Diva has added a number of new styles for spring, including the one pictured here, the Americana Dress. This dress makes me want to stand up and salute, and more importantly (for Trashy Diva) it makes me want to buy it. It's been a long time since I've heard the song of the retail siren. Buuuyyyyy meeeee . . .


I love Trashy Diva's Mansfield Dress, too. Not as much fun, perhaps, as the print, but great business wear. WITH LONG SLEEVES! Yeaaaaa, SLEEVES! Go team dress!

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