Here's another one!!!

This floral-print, bias-cut chiffon dress is for sale at Dandelion Vintage. It's also in a wearable size, bust 34, waist 28, hips 40. Nice.

Look at this beauty!!!

1930s silk chiffon dress

This quintessentially 1930s ruffled silk chiffon dress is for sale at Mystique Vintage Clothing. It's in an unusually wearable size for a depression-era dress -- bust 36, waist 32, hips 40. Most women's clothes of that era are so narrow they look like they were made for skinny 10-year-old girls. That narrow profile probably explains the popularity of the bias-cut, hip- and-belly-clinging fashions of the time. No woman who actually has hips and a belly wants them emphasized.

The narrow Norma Shearer in cling.

For your further 1930s viewing pleasure, check out the pattern illustrations at Christine's 1930 page. For example:

Floral print, check. Flounces, check. Narrow, check. 1930s fashion, YEAA!!!

Clothes on Film: Roberta

Lucille Ball before she became a professional housewife.

The 1935 movie Roberta is about an American football player who inerits a Parisian fashion house and falls in love with the designer, who just happens to be a Russian princess in exile. There's a lot of "just happens" in Roberta.

The football player (henceforth FBP)/Russian princess (henceforth RP) story is a snore. Concurring in that opinion an online reviewer wrote "[t]he plot's fashion angle is also boring -- far too muchtime is devoted to models displaying the latest dresses of the day, although if your curious about 1930's fashion you might enjoy gaping (or laughing) at the outlandish fashion." To which criticism I can only reply, no, no, NO!!! The fashion, and, oh yeah, a subplot involving a romance between two entertainers played by some kids you may have heard of, Fred Astaire and Ginger Rodgers, are what make the film worth watching at all.

Can you believe these two got second billing?

I usually do my laundry when Roberta is broadcast; I've seen it often enough so that I can load the washer and drier during the FBP/RP scenes and be back in front of the TV in time to catch a fashion show or a musical number. However, there is one bit of the main storyline I like: FBP's snooty ex-girlfriend "just happens" to show up in Paris and she's determined to win FBP back. She goes to Roberta's to pick out a gown for her reunion date with FBP, RP arranges a fashion show (hooray!), girlfriend rather insultingly rejects all the outfits chosen for her by RP (ex-girlfriend has somehow divined that FBP is attracted to RP). Fred Astaire, FBP's best friend who just happens to be at Roberta's while ex-girlfriend is shopping, uses reverse psychology to get ex-girlfriend to purchase a revealing dress FBP had previously ordered out of the collection. Ex-girlfriend appears at the date wearing the vulgar dress, FBP gets angry, ex-girlfriend, who really likes the dress, leaves, and presto! no obstacles to the union between FBP and RP remain. Well, none but FBP's bad taste -- the dress he disliked was really very hot.

Roberta's costumes and fashion were designed by Bernard Newman. Newman had been the house designer for Bergdorf Goodman, the New York department store. He only spent a few years in Hollywood before he returned to Bergdorf's, but not before he designed a dress that has become part of Hollywood lore: the blue feathered dress Ginger Rodgers wore while dancing "Cheek to Cheek" with Fred Astaire in Top Hat.

Roberta was remade in 1952 as Lovely to Look At, a movie so turgid that not even multiple fashion shows of extravagant New Look clothing designed by the fabulous Adrian could save it. Here's a hint of how bad it is: the Astaire/Rodger's roles were played by Red Skelton and Ann Miller. Sacrilege!

Anyhoo, the makers of the Robert a got a clue by the end of the movie and left the audience with a performance by Fred and Ginger. Here it is. Enjoy!